The Arts in Society Journal Collection offers an annual International Award for Excellence for new research or thinking that has been recognized to be outstanding by members of The Arts in Society Research Network.
We know that arts-engaged teachers inspire arts-engaged pupils. How do we foster arts-engaged teachers for the future, whatever their disciplines? One way of doing this is through their initial teacher training (ITT). In a changing landscape of teacher training provision in the UK, with tight timeframes and a focus on literacy and numeracy, where and how can providers find the time and space to develop arts-based practice? Leeds Museums and Galleries (LMG) conducted a three-year action research project with 900 second year BA Education trainees from York St John University and Leeds Trinity University centered on the question, “how much object-based learning does a trainee need to make an impact in classroom practice?” The authors tracked “sticky learning” and found that using objects led to a 69 percent increase in confidence in using objects in teaching and museums as resources for learning, even with trainees studying nonarts disciplines. Over the course of the project, object-based learning was used to change the quality of teaching, focusing not just on subject knowledge and attainment, but also on the social value of art for creativity, well-being, and by telling stories from different perspectives. The interventions were aimed at developing the trainees’ own cultural capital.
Black Excellence in Art/Art Education: A Critical Portrait of Murry N. DePillars
Pamela Lawton and Ryan M. Patton, The International Journal of Arts Education, Volume 18, Issue 2, pp. 29-47
Artistic Biography as Field Theory: The Case of Ithell Colquhoun—Magician, Surrealist, Feminist?
Michael Grenfell, The International Journal of Arts Theory and History, Volume 17, Issue 1, pp. 39-54
Sonic Fictions: Shaping Collective Urban Imaginaries through Sound
Eleni-Ira Panourgia and Guillaume Dupetit, The International Journal of Social, Political and Community Agendas in the Arts, Volume 16, Issue 4, pp. 35-48
Christine Scoggin,The International Journal of New Media, Technology and the Arts, Volume 15, Issue 2, pp. 1–16
Climate Change Art: Examining How the Artistic Community Expresses the Climate Crisis
Shauna Doll and Tarah Wright, The International Journal of Social, Political and Community Agendas in the Arts, Volume 14, Issue 2, pp. 13–29
Teaching from the Left: Visual Literacy and Social Transformation for the Twenty-First Century
Kristin Vanderlip Taylor and Lynette Henderson, The International Journal of Arts in Society: Annual Review, Volume 13, Issue 1, pp. 11–22
So, Sue Me: Legal Actions as a New Staging Ground for Performance Art
Courtney Davis, The International Journal of Arts in Society: Annual Review, Volume 12, Issue 1, pp. 25–30
Between Two Earthquakes: Gazing Beyond Kant’s Sublime in Humanitarian Disasters
Sally Cloke, The International Journal of the Arts in Society: Annual Review, Volume 11, Issue 1, pp. 1–18
Aleksandra Kunce, The International Journal of Arts in Society: Annual Review, Volume 10, Issue 1, pp.1–18
Interrogating Women’s Experience of Ageing: Reinforcing or Challenging Clichés?
Susan Hogan, The International Journal of Arts in Society: Annual Review, Volume 9, Issue 1, pp.1–18
Facsimile and Originality: Changing Views of Classical Casts in Arts Education and Art History
Joseph Basile, The International Journal of the Arts in Society: Annual Review, Volume 8, Issue 1, pp.11–30
Art in a Hidden World: Creative Process and Invisible Anomaly
Dawn-joy Leong, The International Journal of the Arts in Society: Annual Review, Volume 7, Issue 1, pp.29–39
The Handed Self: Reaching Toward Individuation
Cherie Redwood, The International Journal of the Arts in Society: Annual Review, Volume 6, Issue 5, pp.221–234
Public Memory, Private Truths: Voices of Women and Visual Narrative in Post-apartheid South Africa
Annette Blum, The International Journal of the Arts in Society: Annual Review, Volume 5, Issue 6, pp.13–32
The Arts in a Time of Recession
Marque-Luisa Miringoff and Sandra Opdycke, The International Journal of the Arts in Society: Annual Review, Volume 4, Issue 5, pp.141–168
To ensure that researchers in developing nations have access to publication pathways that enhance the visibility of their research, the Common Ground Author Fund awards a limited number of fee waivers for Gold Open Access (CC-BY) each year for excellent research.